Online Program · August 16, 2026 · 4:00 to 5:30 p.m.
What Makes a Diva?
Eighteen songs, six essential ingredients, and one very important question. Scroll through the concert below, and tap any translation to open it.
Opening
The Diva Arrives
Libiamo ne’ lieti calici
From La traviata · Giuseppe Verdi · Libretto by Francesco Maria Piave
At a glittering party in Violetta Valéry’s Paris salon, Alfredo proposes a toast to wine, pleasure, and love. Violetta answers with her own philosophy of enjoying life while it lasts, and their flirtation begins in front of the entire room.
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Alfredo
Let us drink from the joyful cups where beauty blossoms, and let the fleeting hour be intoxicated with pleasure. Let us drink to the sweet tremors awakened by love, for those eyes pierce the heart. Let us drink, for love among the goblets will know warmer kisses.
Violetta
With you I can share my hours of happiness. Everything in the world that is not pleasure is folly. Let us enjoy love, fleeting and swift. It is a flower that blooms and dies in a moment, and cannot be enjoyed again. Let us enjoy it, for a charming and passionate invitation summons us.
Alfredo and Violetta
Life is celebration. Let us enjoy it, and may the new day find us still rejoicing.
’O sole mio
Eduardo di Capua and Alfredo Mazzucchi · Lyrics by Giovanni Capurro
One of the world’s best-loved Neapolitan songs begins by celebrating the freshness of a sunny day after a storm. Then the singer reveals that an even more beautiful sun can be found in the face of the person he loves.
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What a beautiful thing is a sunny day, the peaceful air after a storm! The air is so fresh that it already feels like a celebration. What a beautiful thing is a sunny day!
But there is another sun, even more beautiful, my dear. My own sun shines from your face. The sun, my sun, shines from your face.
Your windowpanes gleam. A washerwoman sings and boasts as she wrings out the clothes, hangs them up, and sings. Your windowpanes gleam.
When night comes and the sun goes down, I begin to feel melancholy. I would stay beneath your window when night comes and the sun goes down. But there is another sun, even more beautiful. My own sun shines from your face.
Quando m’en vo
Musetta’s Waltz from La bohème · Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
Musetta makes a spectacular entrance at the Café Momus and announces that everyone stops to admire her whenever she walks down the street. The performance appears to be for the whole café, but it is aimed directly at her former lover Marcello, who is trying very hard not to listen.
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When I walk alone along the street, people stop and stare. They examine all my beauty from head to foot.
Then I savour the subtle desire that shines from their eyes. From my visible charms, they imagine the hidden beauties. The scent of desire surrounds me completely, and it makes me happy.
And you, who know me, who remember and suffer, why do you avoid me? I know very well that you do not want to reveal your anguish, but you feel as though you are dying.
Chapter One
The Heart
O mio babbino caro
From Gianni Schicchi · Giacomo Puccini · Libretto by Giovacchino Forzano
Guest artist · Joanna McTaggart, soprano
Lauretta wants to marry Rinuccio, but a family dispute threatens their future. She turns to her father with a plea that is tender, sincere, and just dramatic enough to ensure that he understands the seriousness of the situation.
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Oh, my dear papa, I love him. He is so handsome. I want to go to Porta Rossa to buy the ring!
Yes, yes, I want to go! And if my love were in vain, I would go to the Ponte Vecchio and throw myself into the Arno.
I am anguished and tormented. Oh God, I would rather die! Papa, have pity, have pity!
Sì, mi chiamano Mimì
From La bohème · Giacomo Puccini · Libretto by Luigi Illica and Giuseppe Giacosa
After a chance meeting in a dark Paris attic, Rodolfo asks his neighbour to tell him about herself. Mimì responds with the small, honest details of her life: her work, her flowers, her room, and her love of spring.
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Yes, they call me Mimì, but my real name is Lucia. My story is a short one. I embroider silk and satin at home and elsewhere. I am peaceful and happy, and my pastime is making lilies and roses.
I love things that possess a sweet enchantment, things that speak of love and springtime, of dreams and fantasies, the things we call poetry. Do you understand me?
They call me Mimì, but I do not know why. I live alone and prepare my own meals. I do not always go to Mass, but I pray often to the Lord.
I live all alone in a little white room. I look out over the rooftops and the sky. But when the thaw comes, the first sunshine is mine. The first kiss of April is mine!
A rose blooms in my vase, and I watch it open petal by petal. How delicate is the perfume of a flower! But the flowers I make, alas, have no fragrance.
There is nothing more I know how to tell you about myself. I am your neighbour, disturbing you at this late hour.
Think of Me
From The Phantom of the Opera · Music by Andrew Lloyd Webber · Lyrics by Charles Hart, with additional lyrics by Richard Stilgoe
When the opera company’s prima donna storms out, the quiet chorus singer Christine Daaé is asked to audition in her place. As she sings about remembrance and lost love, her childhood friend Raoul recognizes her from the audience, and an unexpected opportunity changes both of their lives.
Some Enchanted Evening
From South Pacific · Music by Richard Rodgers · Lyrics by Oscar Hammerstein II
Guest artist · Ashley Moniz, bass
Emile de Becque describes the extraordinary feeling of recognizing someone across a crowded room and knowing that this person will matter. The story will eventually ask whether love can overcome inherited prejudice, but first it asks us to recognize love when it appears.
Chapter Two
The Nerve
Habanera
“L’amour est un oiseau rebelle” from Carmen · Georges Bizet · Libretto by Henri Meilhac and Ludovic Halévy
Surrounded by admirers, Carmen explains that love is free, unpredictable, and impossible to command. She will choose whom she loves and when she leaves, then directs her attention toward the one soldier who seems determined not to notice her.
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Love is a rebellious bird that no one can tame, and it is useless to call for it if it chooses to refuse. Nothing works, neither threat nor prayer. One man speaks well, the other remains silent. I prefer the silent one. He has said nothing, but he pleases me.
Love is a child of Bohemia. It has never, never known any law. If you do not love me, I love you. And if I love you, beware!
The bird you thought you had caught beat its wings and flew away. Love is far off when you wait for it, but when you stop waiting, there it is. All around you, quickly, quickly, it comes, goes, and returns. You think you hold it, and it escapes. You think you escape it, and it holds you.
If you do not love me, I love you. And if I love you, beware!
Popular
From Wicked · Music and lyrics by Stephen Schwartz
Galinda decides that her brilliant but socially awkward roommate Elphaba urgently requires help becoming popular. Her advice is unsolicited, her confidence is absolute, and beneath all the comedy is a genuine attempt to share the social currency she understands best.
Vieni! t’affretta!
From Macbeth · Giuseppe Verdi · Libretto by Francesco Maria Piave and Andrea Maffei
After reading that witches have predicted Macbeth will become king, Lady Macbeth decides that destiny requires immediate supervision. She calls her husband home, promises to strengthen his resolve, and summons darkness to help them seize the crown.
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Come, hurry! I want to set that cold heart aflame. I will give you the courage to complete the bold undertaking. The prophetesses promise you the throne of Scotland. Why do you delay? Accept the gift and ascend to reign!
Rise now, all you ministers of hell who spur mortals onward to bloodshed! O night, wrap us in unmoving darkness. Let the dagger not see the breast it strikes.
I Feel Pretty
From West Side Story · Music by Leonard Bernstein · Lyrics by Stephen Sondheim
After secretly promising herself to Tony, Maria feels so radiant that she cannot understand why the rest of New York has not stopped to comment. Her joy is genuine and precious, even as the audience knows that violence is already threatening the world around her.
Chapter Three
The Drama
Memory
From Cats · Music by Andrew Lloyd Webber · Lyrics by Trevor Nunn, after T. S. Eliot
Grizabella, once admired as the Glamour Cat, returns older and exhausted to a community that rejects her. She remembers her former life, turns toward the possibility of a new morning, and asks for the smallest act of connection: to be touched.
Senta’s Ballad
“Johohoe! Traft ihr das Schiff im Meere an” from Der fliegende Holländer · Richard Wagner
Senta is captivated by the legend of a ghostly sea captain condemned to sail forever. As she describes his ship, his curse, and the faithful woman who might save him, she stops telling the story as an observer and vows to become part of it herself.
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Have you encountered the ship upon the sea, with blood-red sails and a black mast? High on deck stands the pale man, the ship’s master, keeping watch without rest. Hear how the wind roars and whistles through the rigging! Like an arrow the ship flies onward, without destination, without rest, without peace.
Yet the pale man might still find redemption if he could find on earth a woman faithful to him until death. Ah, when will you find her, pale sailor? Pray to heaven that soon a woman will remain true to him.
Once, in a violent wind and raging storm, he tried to sail around a cape. In wild defiance he cursed and swore, “I will never give up, not for all eternity!” Satan heard him and took him at his word. Now he is condemned to wander the sea without rest or peace.
But so that the unfortunate man might still find redemption on earth, an angel of God revealed how his salvation could be won. Every seven years he comes ashore to seek a wife. Every seven years he has courted, but he has never found a faithful woman. Raise the sails, lift the anchor! False love, false faithfulness! Back to sea, without rest or peace.
Where is the woman whom God’s angel will reveal to you? Where will you find the one who will remain faithful until death?
I shall be that woman! My faithfulness will redeem you. May God’s angel lead you to me. Through me, you shall find salvation!
Chapter Four
The Fireworks
Tacea la notte placida… Di tale amor
From Il trovatore · Giuseppe Verdi · Libretto by Salvadore Cammarano and Leone Emanuele Bardare
Leonora remembers hearing the voice of a mysterious troubadour beneath her window in the stillness of the night. Her story begins in moonlit calm, then takes flight as she declares that her love is so powerful she will live for him or die for him.
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Listen! The peaceful night was silent, and in the calm sky the moon revealed her full and shining silver face.
Then, through the air that until that moment had been so still, I heard the sweet and mournful chords of a lute. A troubadour sang melancholy verses, humble as the prayer of a man speaking to God.
In that song a name was repeated, my own name! I hurried to the balcony. It was he, it was truly he! I felt a joy granted only to the angels. To my ecstatic heart and eyes, the earth seemed like heaven.
My heart became intoxicated with a love that words can scarcely express, a love that only I understand. My destiny can be fulfilled only at his side. If I cannot live for him, then for him I will die!
Klänge der Heimat
Csárdás from Die Fledermaus · Johann Strauss II · Libretto by Karl Haffner and Richard Genée
Rosalinde arrives at a masked ball disguised as a Hungarian countess and discovers her husband flirting with her, without recognizing her. When her false identity is questioned, she proves it with a brilliant csárdás and becomes the most interesting person at the party.
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Sounds of my homeland, you awaken my longing and call tears into my eyes. When I hear you, songs of home, I am drawn back to you, my Hungary.
O homeland, so wonderful! How brightly the sun shines there, how green your forests, how joyful your fields, O land where I once was so happy.
Your beloved image fills my whole soul. Though I am far from you, so far away, my heart remains forever devoted to you alone.
Fire and joy of life swell the true Hungarian breast. Hurry to the dance, the csárdás rings out brightly! Brown-haired maiden, you must be my dancing partner. Quickly give me your arm, dark-eyed child. Lower your eyes toward the ground, for that foretells happiness.
Thirsty revellers, seize your cups. Let them circle quickly from hand to hand. Drink the fire of Tokay wine, and raise a toast to the homeland! Fire and joy of life fill the true Hungarian breast. Hurry to the dance, the csárdás rings out brightly!
Chapter Five
The Joy
I Could Have Danced All Night
From My Fair Lady · Music by Frederick Loewe · Lyrics by Alan Jay Lerner
After weeks of exhausting speech lessons, Eliza Doolittle finally masters the phrase that has defeated her. Professor Higgins celebrates by dancing with her, and long after the household has gone to bed, Eliza is far too exhilarated to sleep.
Dich, teure Halle
From Tannhäuser · Richard Wagner
During Tannhäuser’s absence, Elisabeth withdrew from the singing contests they once shared. Now that he has returned, she rushes into the Hall of Song and greets the room itself, feeling its arches, echoes, and music come alive again.
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Dear hall, I greet you once again. Joyfully I greet you, beloved place! Within you his songs awaken, and they wake me from gloomy dreams.
When he departed from you, how desolate you seemed to me. Peace fled from me, and joy departed from you.
How powerfully my heart is leaping now! You appear proud and noble once again. The one who gives new life to both you and me no longer remains far away.
I greet you! I greet you! Dear hall, receive my greeting!
The Sound of Music
From The Sound of Music · Music by Richard Rodgers · Lyrics by Oscar Hammerstein II
In the mountains above Salzburg, Maria becomes completely herself. She listens to the birds, streams, and church bells until the whole landscape seems filled with music, then answers it with her own voice. Although she begins alone, her joy invites everyone to hear the world as she does.
English translations are prepared for this program. Repeated refrains and ensemble echoes have been condensed for readability.
